Author Archives: Julia Ritson

About Julia Ritson

artist | limited edition art scarves
Freda-Robertshaw-Australian-Beach-scene-1940

Beach Patterns

And in my wanderings, I remembered these two archetypal beach scenes.

Freda-Robertshaw-Australian-Beach-scene-1940

Beach Patterns

And in my wanderings, I remembered these two archetypal beach scenes.

Julia-Ritson-packaging

Limited Edition Art Scarves

Joanne and Julia Ritson come from a family of artists. The two sisters share a number of artistic qualities: scale, colour, and an eye for fine detail. Julia Ritson explores abstraction, adding a vibrant chapter to a century-old tradition. Joanne Ritson brings a 21st Century perspective to the venerable history of landscape painting, that of virtual not physical worlds. Joanne and Julia embrace the manifold potential of textile printing in their limited edition art scarves, extending and enriching their traditional studio practices.

Julia-Ritson-packaging

Limited Edition Art Scarves

Joanne and Julia Ritson come from a family of artists. The two sisters share a number of artistic qualities: scale, colour, and an eye for fine detail. Julia Ritson explores abstraction, adding a vibrant chapter to a century-old tradition. Joanne Ritson brings a 21st Century perspective to the venerable history of landscape painting, that of virtual not physical worlds. Joanne and Julia embrace the manifold potential of textile printing in their limited edition art scarves, extending and enriching their traditional studio practices.

Sol LeWitt PhotoGrids 1978

Sol LeWitt PhotoGrids

The logic of the serial image was the important thing to me

Sol LeWitt PhotoGrids 1978

Sol LeWitt PhotoGrids

The logic of the serial image was the important thing to me

Julia_Ritson_001_art scarves

Julia Ritson Tang

The bursts of orange, yellow, and pink against the neutral tone of the linen highlight the opaque and transparent painting techniques used.

Julia_Ritson_001_art scarves

Julia Ritson Tang

The bursts of orange, yellow, and pink against the neutral tone of the linen highlight the opaque and transparent painting techniques used.

Joanne_Ritson_019_art scarves

Joanne Ritson Blue Mountain

The mountain is no longer distant but filling the painting, suffocating the air out of the space.

Joanne_Ritson_019_art scarves

Joanne Ritson Blue Mountain

The mountain is no longer distant but filling the painting, suffocating the air out of the space.

Joanne_Ritson_023_art scarves

Joanne Ritson Vermilion Cloud

These cloud formations reflect a darker side.

Joanne_Ritson_023_art scarves

Joanne Ritson Vermilion Cloud

These cloud formations reflect a darker side.

Julia_Ritson_014_art scarves

Julia Ritson Sybil

The many layers of golden transparent oil paint are amplified in this scarf.

Julia_Ritson_014_art scarves

Julia Ritson Sybil

The many layers of golden transparent oil paint are amplified in this scarf.

Joanne_Ritson_021_art scarves

Joanne Ritson Silver Terra

Joanne Ritson repeats the motif of a windy tree in a landscape, allowing the palette to dictate the mood.

Joanne_Ritson_021_art scarves

Joanne Ritson Silver Terra

Joanne Ritson repeats the motif of a windy tree in a landscape, allowing the palette to dictate the mood.

Julia_Ritson_013_art scarves

Julia Ritson Jockey

The large squares in the scarf lend themselves to many types of knots.

Julia_Ritson_013_art scarves

Julia Ritson Jockey

The large squares in the scarf lend themselves to many types of knots.

Joanne_Ritson_008_art scarves

Joanne Ritson Violet Cloud

EDITION 17/25 and EDITION 24/25 AVAILABLE

Joanne_Ritson_008_art scarves

Joanne Ritson Violet Cloud

EDITION 17/25 and EDITION 24/25 AVAILABLE

Joanne-Ritson-010-art scarves packaging

Joanne Ritson Windy Tree

A windy tree plucked from the pages of a book on 19thcentury landscape drawing.

Joanne-Ritson-010-art scarves packaging

Joanne Ritson Windy Tree

A windy tree plucked from the pages of a book on 19thcentury landscape drawing.

Joanne_Ritson_006_art scarves

Joanne Ritson Green Mountain

This is the first work in the mountain series of paintings.

Joanne_Ritson_006_art scarves

Joanne Ritson Green Mountain

This is the first work in the mountain series of paintings.

Julia_Ritson_016_art scarves

Julia Ritson Ben

The subtle muted tones of a Ben Nicholson painting were the inspiration for this work.

Julia_Ritson_016_art scarves

Julia Ritson Ben

The subtle muted tones of a Ben Nicholson painting were the inspiration for this work.

2-Prince-Henrys-Hospital-Leighton-Irwin-1990

Prince Henry’s

I took these photos of the Prince Henry’s Hospital and Nurses Home before it was demolished in 1994 to make way for the Bates Smart designed Melburnian apartments.

2-Prince-Henrys-Hospital-Leighton-Irwin-1990

Prince Henry’s

I took these photos of the Prince Henry’s Hospital and Nurses Home before it was demolished in 1994 to make way for the Bates Smart designed Melburnian apartments.

Linda-Marrinon-What-I-Must-Bear-1982

Crosses to Bear

Looking at some old Art Network magazines from the 1980s and came across this dramatic Linda Marrinon painting. | Linda Marrinon, What I Must Bear, 1982 | Line up for your punishment ladies. Julia Ritson

Linda-Marrinon-What-I-Must-Bear-1982

Crosses to Bear

Looking at some old Art Network magazines from the 1980s and came across this dramatic Linda Marrinon painting. | Linda Marrinon, What I Must Bear, 1982 | Line up for your punishment ladies. Julia Ritson

Lazar-Khidekel-Yellow-Cross-1923

Cross Use

The reverence and spiritual power of any cross form.

Lazar-Khidekel-Yellow-Cross-1923

Cross Use

The reverence and spiritual power of any cross form.

John Nixon Kaliman Rawlins 2012

Serial Suprematist

Stef studying the subtleties of Nixon’s Black cross painted in 1992.

John Nixon Kaliman Rawlins 2012

Serial Suprematist

Stef studying the subtleties of Nixon’s Black cross painted in 1992.

Mort-Gerberg-Small-Medium-Large

Small Medium Large

| Mort Gerberg, New Yorker |

Mort-Gerberg-Small-Medium-Large

Small Medium Large

| Mort Gerberg, New Yorker |

David-Gentleman-Mural-Women-mixing-mortar-wood-engraving-1978

Shakespeare Gentleman Illustrator

The first Shakespeare Penguin titles appeared in 1940. They were designed by the steadfast classicist Jan Tschichold. By the late 1960s the series was looking dated. Penguin was trying to be less literal and more cerebral, and designer Germano Facetti had

David-Gentleman-Mural-Women-mixing-mortar-wood-engraving-1978

Shakespeare Gentleman Illustrator

The first Shakespeare Penguin titles appeared in 1940. They were designed by the steadfast classicist Jan Tschichold. By the late 1960s the series was looking dated. Penguin was trying to be less literal and more cerebral, and designer Germano Facetti had

Paul-Auster-Music-Moon-Palace

When Text is Enough

When the time came for Paul Auster’s Penguin books to be redesigned, he asked the art director to consider using a typographical rather than image based approach.

Paul-Auster-Music-Moon-Palace

When Text is Enough

When the time came for Paul Auster’s Penguin books to be redesigned, he asked the art director to consider using a typographical rather than image based approach.

Rope-Deming-Book-Cover-Brice-Marden

Atmospheric Content

“The pictorial idea, be it drawing, collage or photograph, will indicate the atmospheric content of the book.”

Rope-Deming-Book-Cover-Brice-Marden

Atmospheric Content

“The pictorial idea, be it drawing, collage or photograph, will indicate the atmospheric content of the book.”

Bruno-Munari-and-Deyan-Sudjic

50 Shades of White

I’m noticing a trend in book design. Many shades of white.

Bruno-Munari-and-Deyan-Sudjic

50 Shades of White

I’m noticing a trend in book design. Many shades of white.

George-Eliot-Middlemarch-books

Middlemarch Winter

“There is something in daubing a little one’s self, and having an idea of the process.”

George-Eliot-Middlemarch-books

Middlemarch Winter

“There is something in daubing a little one’s self, and having an idea of the process.”

Guardian Spirit 700-750AD

Spooky Spirit

This little hoofed fellow is supposed to stop dead people coming out of their graves to interfere with the living.

Guardian Spirit 700-750AD

Spooky Spirit

This little hoofed fellow is supposed to stop dead people coming out of their graves to interfere with the living.

Tree-goddess-Salabhanjika-India-1150-1200-NGV

Tree Goddess

A truly lovely tree goddess.

Tree-goddess-Salabhanjika-India-1150-1200-NGV

Tree Goddess

A truly lovely tree goddess.

Uma-Khmer-10-11-century-NGV

Alfred and Uma

Most of the fabulousness of the National Gallery of Victoria can be attributed to Mr Alfred Felton.

Uma-Khmer-10-11-century-NGV

Alfred and Uma

Most of the fabulousness of the National Gallery of Victoria can be attributed to Mr Alfred Felton.

Model-of-a-Granary-AD25-220-NGV

Grains for the Dead

If the spirit of the ancestor is happy and peaceful then they will look after the living. So best to feed them lots of grain.

Model-of-a-Granary-AD25-220-NGV

Grains for the Dead

If the spirit of the ancestor is happy and peaceful then they will look after the living. So best to feed them lots of grain.

Man-Holding-Dog-AD700-Henan-Shaanxi-province-North-China

Holding Art

Some lovely earthenware sculptures from the National Gallery of Victoria.

Man-Holding-Dog-AD700-Henan-Shaanxi-province-North-China

Holding Art

Some lovely earthenware sculptures from the National Gallery of Victoria.

Ellsworth-Kelly-Facade-for-Matthew-Marks-Gallery-NYT

Ellsworth Kelly’s Facade

Shape, line and color in their purest forms.

Ellsworth-Kelly-Facade-for-Matthew-Marks-Gallery-NYT

Ellsworth Kelly’s Facade

Shape, line and color in their purest forms.

Elsworth-Kelly-Meschers-1951

Cézanne and Kelly

‘The most pleasurable thing in the world for me is to see something and then translate how I see it.’

Elsworth-Kelly-Meschers-1951

Cézanne and Kelly

‘The most pleasurable thing in the world for me is to see something and then translate how I see it.’

Paul-Cezanne-Chestnut-Trees-at-the-Jas-de-Bouffan-1885-86

Cézanne Seeing

When Ellsworth Kelly was a young boy, he put a print of this chesnut tree painting of Cezanne’s on his wall.

Paul-Cezanne-Chestnut-Trees-at-the-Jas-de-Bouffan-1885-86

Cézanne Seeing

When Ellsworth Kelly was a young boy, he put a print of this chesnut tree painting of Cezanne’s on his wall.

Sophie-Tauber-Arp-Twelve-Planar-Spaces-and-Angular-Bands-1938

Sophie Tauber-Arp

‘The intrinsic decorative urge should not be eradicated, it is one of humankind’s deep-rooted, primordial urges.’

Sophie-Tauber-Arp-Twelve-Planar-Spaces-and-Angular-Bands-1938

Sophie Tauber-Arp

‘The intrinsic decorative urge should not be eradicated, it is one of humankind’s deep-rooted, primordial urges.’