Tag: art

• Serial Suprematist

  

  Stef studying the subtleties of Nixon’s Black cross painted in 1992.

  2012-07-30

• Shakespeare Gentleman Illustrator

  

  The first Shakespeare Penguin titles appeared in 1940. They were designed by the steadfast classicist Jan Tschichold. By the late 1960s the series was looking dated. Penguin was trying to be less literal and more cerebral, and designer Germano Facetti had the answer. In revamping the Bard’s work, Facetti commissioned David Gentleman to create an illustration…

  2012-07-18

• When Text is Enough

  

  When the time came for Paul Auster’s Penguin books to be redesigned, he asked the art director to consider using a typographical rather than image based approach. Good idea Mr Auster. Designer Greg Mollica came up with this elegant solution.

  2012-07-16

• Atmospheric Content

  

  When Germano Facetti began working for Penguin in 1961, the company had grown so much that the books were looking a bit all over the place. His job was to transform the new titles and reissues into something contemporary while retaining continuity. Facetti’s directive was that, “The pictorial idea, be it drawing, collage or photograph,…

  2012-07-13

• 50 Shades of White

  

  I’m noticing a trend in book design. Many shades of white. I bought these books recently. The covers jumped right out at me. Design as Art is a reprint of a 1970s Bruno Munari classic about all things design and art. Deyan Sudjic’s The Language of  Things is also a reprint. The initial cover was very…

  2012-07-11

• Middlemarch Winter

  

  “Art is an old language with a great many artificial affected styles, and sometimes the chief pleasure one gets out of knowing them is the mere sense of knowing. I enjoy the art of all sorts here immensely; but I suppose if I could pick my enjoyment to pieces I should find it made up…

  2012-07-09

• Spooky Spirit

  

  This scary little fellow is a piece of sancai ware pottery from China. Sancai ware is a type of glazing whereby three colours are used to create this delicate effect. Tang sancai wares were sometimes referred to as egg-and-spinach by dealers. The hoofed figurine sits outside the tomb to stop dead people coming out of their graves to made…

  2012-06-20

• Tree Goddess

  

  A truly lovely tree goddess.

  2012-06-18

• Alfred and Uma

  

  Most of the fabulousness of the National Gallery of Victoria can be attributed to Mr Alfred Felton.

  2012-06-15

• Grains for the Dead

  

  If the spirit of the ancestor is happy and peaceful then they will look after the living. So best to feed them lots of grain.

  2012-06-13

• Holding Art

  

  Some lovely earthenware sculptures from the National Gallery of Victoria.

  2012-06-11

• South Yarra Colours

  

  | Julia Ritson, South Yarra, Raw Umber, 2012 | | Julia Ritson, South Yarra, Cadmium Yellow, 2012 | | Julia Ritson, South Yarra, Dusty Pink, 2012 |

  2012-06-08

• Ellsworth Kelly’s Facade

  

  Ellsworth Kelly, close to 90 years old, recently completed a striking sculpture for Matthew Marks Gallery in Los Angeles. He placed this huge structure onto the building facade. | Ellsworth Kelly Sculpture, 2012, Matthew Marks Gallery, Image: Joshua White/Matthew Marks Gallery, 2012 | Ellsworth Kelly continually re-works his ideas and this sculpture was inspired by one…

  2012-06-04

• Activating Surfaces

  

  As a young man, Ellsworth Kelly was a bird watcher and then a camouflage artist with the US Army. Looking and hiding. In this work Kelly uses chance to create a collage. | Ellsworth Kelly, Spectrum Colors Arranged by Chance II, 1951 | Not dissimilar to the choppy marks of Cézanne, representing a new way of seeing.…

  2012-06-01

• Cézanne and Kelly

  

  Ellsworth Kelly said ‘The most pleasurable thing in the world for me is to see something and then translate how I see it.’ Similarly Cézanne’s paintings were made after periods of looking long and hard. Both artists start with a concentrated response to nature that is then transmogrified into form and colour. Katherine Sachs talks about the link…

  2012-05-30

• Cézanne Seeing

  

  As I’m painting away, I often reflect on youthful influences. Paul Cézanne popped up last week when I was looking at Godfrey Miller’s work. And then along came Ellsworth Kelly. Coincidentally, I came across a beautiful catalogue for a 2009 exhibition at the Philadelphia Museum of Art, ‘Cezanne and Beyond,’ linking contemporary paintings with Cézanne’s works. One…

  2012-05-28

• Godfrey Miller’s Counterpoint

  

  ‘Through the counterpoint of line and colour plane, the rhythmic themes and their inversions, we see the transmuted colour rhythms of the landscape shorn of superficiality.’ Another great quote from critic, collector, and best friend of Godfrey Miller, John Henshaw. Beautiful geometricised nature. A painting five years in the making. | Godfrey Miller, Two Trees…

  2012-05-25

• Godfrey Miller’s Counterspace

  

  | Godfrey Miller, Still Life, Fruit and Flower, 1957-61 | John Henshaw, a close friend and former student of Miller’s, wrote about this painting in his 1965 book on Godfrey Miller. ‘Innumerable pencil sketches from objects which lay about on the kitchen table, fruit, comports, vases, flowers, fill notebooks. They furnished a world, sometimes in…

  2012-05-23

• Anchorite Godfrey Miller

  

  Another solitary painter in the vein of Ian Fairweather. I remember trying to paint like Godfrey Miller in the 1970s. Not very successfully. | Godfrey Miller at 54 Young Street Sydney, 1949, photo by Kerry Dundas | Miller’s experience of lying wounded for many hours on the battlefield of Gallipoli was to change him forever.…

  2012-05-21

• Iona House Green

  

  Iona House was surrounded by our busy dairy and potato farm. Along with raising seven children, the garden was to become a very big part of my mother Hayden’s life. And constant maintenance of the house. When the time came to re-paint the house, green and yellow tones were chosen. | Iona House , c1968…

  2012-04-26